Album Archive (2022-2026)

Burned to the Spirit is the first album by [Aurisym]. [Anonymous 1] forgot to put the "S" in the songs, but [Aurisym] rolled with that typo. It was uploaded to [Auri]'s channel the same day as TMDDTYA was, although they were completed on two seperate days. BTTS was allegedly finished on June 11th.

Second album by [Aurisym], this is one of the first album to have a hard theme to follow. The idea is that it sounds like you're in a mansion alone, and it turns out you're not actually alone. This album originally used a green variant of the OVERDOSE album art before switching to a [RBLX game] screencap taken by [Anonymous 1]. While the start date says June 13th, the alt name comes from June 17th. The album art was changed near the end of development to the one we have, with an earlier rendition using a Green bottle being drank, similar to Overdose's cover.

The third album released by [Aurisym]. At this time [Aurisym] decided to start making more detailed music, adding extra details in between sections. A demo version would be teased on October 14th, with the first three songs. The full album released on December 17th. The art further on in the album development was unfortunately generated by AI.

NJAS serves as the fourth solo album produced by [Aurisym], which started in 2022 and ended up ending in 2023, being the first of two of [Auri's]'s projects to finish the year after they started, the second being Where Tyrants Fall. The album would be named by [Anonymous 1] after they was sent 4 demos and was offered to name them. NJAS is an entirely freestyle album with no solid theme, similar to early [Anonymous 1]'s works.

After two straight collaborations and several cancelled projects, [Aurisym] wants to do it right. With some optional (and very generous) help from [Anonymous 1]'s album art designer [Anonymous 2], and a lot of extra help on keeping development consistent, the album was wrapped up and completed on June 19th 2023, including some assistance from [Anonymous 1]. It was later published. IETTH was also the first project in [Auri]'s career to be proper loseless, being FLAC.

[Aurisym]'s sixth album is a huge experimental work of many melodies and themes, such as anger, fatigue, polarization and rivalry. It originally started as a single created a late night when [Auri] and [Anon 1] accidently had a disagreement about whever or not the tracker was smelly garbage because of how empty it was. [Auri] misinterpreted it as an attack on their song and made the single "WHEN YOU START, PEOPLE HATE IT". Halfway through development, it was cleared up and [Anon 1] joined in to help produce the single, and later on, the rest of the album. The single was released on July 22nd 2023 and previewed to [Reborn]'s discord server, and was the only single made. Some time around August, a deluxe edition was pitched, which would release in September.

Retro Funked is the first single of the Launchpad era, using the template of "Retro Funk". The name is not original at all.

Here we are Again is the second demo of the Launchpad era. It is unknown what it uses as a template, but it might be Retro Funk again.

2012 is the third demo of the Launchpad era. This, of course, uses Retro Funk again. This used to be named 2010: Doomsday, but it was replaced to 2012 to fit the old conspiracy that the world would end around 2012.

Breaking the Core is the fourth and technically fifth demo(s) of the Launchpad era. These two songs would use Drum & Bass. The original has vocals around 30 seconds in which is what the app gives you. This version of Breaking the Core would then get called internally as "Voxruin". A remake would be done a year later at the end of 2024, being called the 2025 remaster. This sounded like breakcore to me, which is why it's named "breaking the core".

Being the first of it's kind since 2023, Call of the Void is the eighth solo album by [Aurisym] since HATE SURROUNDS ALL WE LOVE, and is considered the "last" [Aurisym] production. It would feature a lot of assistive production from [Anonymous 1] from as far back as Feburary, and is considered heavily co-produced by [Anon 1]. This version of the album is also directed by [Anonymous 1] production-wise, using a lot of mastering and assistive production [Anon 1] uses. This album is executively mixed by [Anon 1]. It released on August 18th 2024, and [Auri] went on a production break right after.

loud minds think alike is a heart melatonin-like side project by [Duo]'s member [Auri], keeping inside the mind's low pitches but replacing it's no-structure ambience with sample based, accessible melodies. LMTA is considered a pre-cursor to the MDFIS sessions. This is the era that killed [Auri]'s break. The album was compiled, re-mixed and released December 30th 2024, and is considered a side project to MDFIS. [Anon 1] describes it as being like an exercise to get back into the game.

"Call of the Void 2: VOID RABBIT" is [Auri]'s ninth solo album, originally starting under the working title "Call of the Void 2", before being picked back up as "MY DEAR FRIEND, I'M SPIRALLING". The final name was chosen by exec. producer [Anon 1]. CV2:VR aims to organize and properly use CotV2's material and organize it into something grand, similar to [Anon Project 1]'s goal. Some of COTV2's songs would carry over to CV2:VR, however the rest would be given to [Anonymous 1] for [Anon Project 2]. CV2:VR has a mix of old CotV2 session songs as well as completely new productions that heavily use sampling.

Auri's 12th solo album. Meant to be the last part of Jack & Pam, and also surrounding the idea of STXPM4VING being able to control Jack & Pam (more control over Jack) since the incident. This would then get turned into a more Heart Melatonin styled project, and then put under another name that isn't Aurisym, instead being "synthetic" to test it out.